| PROSSIMO FASCICOLO |
RENAISSANCE AND ROMANTICISM: CONTINUITIES AND DISCONTINUITIES IN THE TRANSMISSION OF LITERARY AND CULTURAL MODELS
edited by Lilla Maria Crisafulli and Stuart Curran |
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Per acquistare il fascicolo con metodi tradizionali (off-line), cliccare qui
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| L.M. Crisafulli and S. Curran |
| Introduction |
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| I. Cultural Transmission from Renaissance to Romanticism |
| D. Saglia |
| Nationalizing the Renaissance: Cultural Identity and the Foreign in Hazlitt’s Lectures on the Age of Elizabeth |
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| G. Ferreccio |
| Stopping by Woods: “Mutilated Bowers” and Enchanted Forests in Wordsworth and Tasso |
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| C. Pomarè |
| “Something new in the annals of great sieges”: Byron’s The Deformed Transformed and Benvenuto Cellini’s Vita |
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| II. Shakespearian (Dis)continuities |
| M. Marrapodi |
| Shakespeare, Milton, and the Romantic Imagination |
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| P.D. Smecca |
| A Voice among the First Romantic Poets: John Armstrong and the Revisitation of Shakespeare’s Plays in Sonnet Form |
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| F. Liberto |
| Shakespeare, Fuseli, and Problems of Visual Representation in Romantic Culture |
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| F. Cioni |
| Romantic Appropriations of Shakespeare: Coriolanus, Henry V, King John, and the National Identity |
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| N. Caputo |
Melodrama Gets to the Heart of Shakespeare: The “Ogreish” King Richard III of George Frederick Cooke
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| K. Elam |
| Afterward: Romantic Renaissances |
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