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| ISSN 1824-3967 |
| TEXTUS 23 (2010), N. 2 |
BLACK BRITISH WRITING: SEA-CHANGES
edited by Paola Splendore and John Thieme |
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To purchase the issue by traditional off-line methods, click here
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| P. Splendore and J. Thieme |
| Introduction (pp. 315-324) |
| Testo completo gratuito / Free full text |
46,89Kb |
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| Z. Wicomb |
| Raising the Tone (pp. 325-338) |
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| M.P. Guarducci |
| “Only the ship remained”: The Sea Journey in George Lamming’s The Emigrants (pp. 339-354) |
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| M. Casagranda |
| How Many Women Were on the Empire Windrush? Regendering Black British Culture in Andrea Levy’s Small Island (pp. 355-370) |
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| G. Buonanno |
| Contesting Misrepresentations in British Asian Women’s Writing (pp. 371-388) |
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| C. Chambers |
| Multi-Culti Nancy Mitfords and Halal Novelists: The Politics of Marketing Muslim Writers in the UK (pp. 389-404) |
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| A. Rizzo |
| Translation and Migration in Leila Aboulela’s The Translator and Monica Ali’s Brick Lane (pp. 405-420) |
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| S. Guarracino |
| Competing Hegemonies: Can Suniti Namjoshi be Named “Black British”? (pp. 421-436) |
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| V. Parashkevova |
| “I put down roots in the women I love”: Migrant Stories/Cities and Cartographic Re-Inscriptions of Gender and Sexuality in Salman Rushdie’s The Satanic Verses (pp. 437-452) |
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| M.-S. Draga Alexandru |
| Textualities Outside the Text: Music and the Performance of Englishness in Vikram Seth’s An Equal Music (pp. 453-468) |
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| E.M.E. Gendusa |
| Re-inscriptions of the Black British Identity Mosaic in Bernardine Evaristo’s Early Fiction (pp. 469-484) |
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| J. Wilkinson |
| Prospero’s Magic or Prospero’s Monsters? Disabling Empire in David Dabydeen and Yinka Shonibare (pp. 485-504) |
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| Contributors (pp. 505-508) |
| Testo completo gratuito / Free full text |
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